Collaborative Stop-Motion Film
From concept development thru fabrication onto animation and compositing our team of 8 produced a minute long short in just ten weeks. As the project was on such a tight timeline, I focused on set fabrication. Tasked with designing and bringing to life our villainous washing machine, as well as assisting in the construction of the rest of the laundromat. I gained valuable skills such as machining, wood working, taking a build from concept to set-ready, knowledge on proper build techniques, and an arsenal of stop-motion film making techniques.
The machine's blueprints were done physically and when we found a general design that the team liked, I digitized it and worked on pushing the shape language and color palette.
I incorporated elements that could pass as ordinary but also had a nefarious vibe. The dials were designed to look like angry eyes and the triangles on the front to look like fangs.
I whipped up a quick mockup in the general size and shape language and put it in context so we could make decisions on the build.
SCAD offers laser cutting technology. These are my illustrator files, with aspects like engraving and stacked pieces of MDF and Acrylic.
Once I finished working with the director on the art of the machine, I needed to build it from the outside in. This is my first drawing I did while I roughed out what materials I needed and how I imagined everything fitting together.
Almost every edge had to be cut at a very slight angle. I got to know the band saw very well for that week. This was the first successful fit test.
I wanted to hide the hinge and also sandwich the acrylic into the door so as it was animated nothing wiggled around. I also hand beveled the door and handle. This was the first fit test.
The final machine put together. I added weathering and grime while it was lit and in camera. Here is what the finished initial build looked like!
Crucial for these wide-angle shots of the laundromat, I was tasked with designing and creating laser cutting files. These were then hand painted and assembled on an uncomfortably tight deadline. Ended up great!
In some shots we were able to get away with dropping the machines in the background out of focus, because of this we decided to create less beautiful and incomplete versions of our washing machines so we could have two active sets at a time. I brought these from concept to camera ready.
Had we just stuck the puppet through the machine the bottoms of her boots would have been pretty unappealing to look at, just smooth silicone. These are the Doc Marten inspired sculpted soles out of pro-poxy.
Pre-Lighting Set
Wash Cycle is currently in the end stages of post-production. At the films completion it will doing a series of festival runs and should be released to the public a year later.
Stay Tuned!
Copyright © 2024 Dahlia Kressler- All Rights Reserved.
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